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Teaching Artistic Strategies

Playing with Materiality, Aesthetics and Ambiguity
LivreLivre de poche
Classement des ventes 2108dansArt
CHF61.90

Description

Artistic strategies have a great transformative potential to improving research, teaching, and artistic expression. The contributors to this volume show how to unleash this potential by presenting a variety of epistemological experiments at the intersection of artistic research, pedagogy, and innovative practices in art and design education. The diversity of contributions demonstrates the non-exhaustive space for experimental phenomenological adventures. This collection strengthens new communities of educators and researchers in arts and design, whose practices are built on the concept of care as empathetic knowledge production.

Détails

ISBN/GTIN978-3-8376-7334-0
Type de produitLivre
ReliureLivre de poche
Éditeurtranscript
Date de parution15.08.2024
SérieImage
No. de série248
Pages250 pages
LangueAnglais
DimensionsLargeur 145 mm, Hauteur 220 mm, Épaisseur 12 mm
Poids264 g
Illustrations17 SW-Abbildungen
Groupe de produitsBeaux-arts
CatégorieArt
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Auteur

Dorothée King (Ph.D.), born in 1979, is a professor of arts and design education and serves as the Head of the Institute of Arts and Design Education at Hochschule für Gestaltung und Kunst Basel FHNW. Before, she taught at the Rhode Island School of Design, the Transart Institute in NYC, and the Banff New Media Institute in Canada. Her research focuses on ephemerality and the histories of art schools. She also runs international workshops on digital storytelling. Selena Savi is a trained architect and an assistant professor for the protohistory of Artificial Intelligence and machines in the arts at the University of Amsterdam. After completing her PhD at École Polytechnique Fédérale de Lausanne and an SNSF-funded postdoc at Technische Universität Wien, she worked at the Basel Academy of Art and Design FHNW as the Head of the Make/Sense PhD programme. Her research interests animate a practice at the intersection of computational processes and posthumanist and postcolonial critique of technology.

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